Wednesday, 10 October 2012

The Writers' Study

I'd like to welcome you to this Writing Group interview, with Judie Jones from The Writers' Study.

***

Hello Judie.  Can you tell us a bit about your writing group?
The Writers' Study was established in 2005.  It is a non-profit-making, self-help group for those who wish to write, from the complete novice to the more experienced writer.  There are three terms of six fortnightly sessions a year.  Currently we meet at The West Moors Memorial Hall in West Moors on Thursday evenings, from 7pm thru 9pm with a break for refreshments.
How many members, on average, does your group have?
I restrict numbers to twelve if possible.
Who are you and what is your role within the group?
I am Judie Jones and I run the group independently.  I am not a qualified creative writing teacher, but my aim is to encourage writers in a way that makes writing fun as well as instructive/constructive.
You don't need to be qualified in order to inspire and encourage.  How are your sessions structured?
During our two hour evening sessions, a standard agenda would be: welcome, any news, updates, etc. any item a member wishes to discuss, manuscript reading and critique, any other business.  Each year I arrange one workshop by a professional and one talk by an author, publisher or agent, etc.
What types of things do you cover in your group?
Mainly encouraging writing in all genres.  This is short stories/poems/articles, though some members are writing novels.  Finding suitable competitions to enter and magazines they can submit their work to.  I issue homework on a given subject/theme.  Each summer we have a Round Robin, to which each member contributes a short chapter by e-mail, which results in a story of around 3000+ words.  We hold an End of Term Competition on a given theme with standard rules.  The group choose the winner, who receives an engraved trophy, and gift vouchers for the first three.  For the middle term of each year, I arrange a professional judge to judge the End of Term Competition entries.  We have a library of around 30 books on all aspects of writing.
What have been some of your most popular/successful activities?
Popular activities are certainly the End of Term Competition, the talks and workshops.  Our Christmas Dinner get-together is great fun.  Successful activities – difficult to define, but I would say it’s what we learn as a group from workshops etc.  Successes obviously are when members of the group win a competition or have something published. 
Where do you get your ideas/writing prompts from?
I guess I pick up some ideas from Writing Magazines.  I have interaction with organisers of other writing groups and we exchange ideas.  I think I have a big imagination, so I've not yet run out of ideas.
Do members of the group get a chance to run/lead a session or part of a session?
One member gave us a lively workshop on using vegetables to promote writing and another an in-depth workshop/talk on viewpoint.   I do encourage anyone who has a 'take' on any subject to tell us about it.  Also, because I run the group on my own, one member holds a spare key to the hall and two others are prepared to chair a meeting, should I be unable to attend.  Luckily I've not missed a meeting in seven years. 
Vegetables to promote writing?  That sounds, hmm, interesting!  Do you have guest speakers at your group?
Yes we have guest speakers.  Bob Sharpe on the History of Crime.  Pam Fudge on writing general fiction.  Tim Bowler (Carnegie medallist) on writing for young adults.  Penny Legge on writing local history.  Della Galton on creative writing.   John Jenkins on getting published.  Helen Corner on finding an agent.  Kev Reynolds on travel.  Lynne Hackles on her writing career.  The late Fred Smith in his writings. 
What genres do the members of your group write?  Is there a lot of diversity with regards to your members' writing?
Apart from general fiction, we try to cover all genres.  Three of the group are excellent poets.  Two members excel in writing for children and young adults.  Give them a theme and the group will produce.   I would say the overall standard of writing is high in respect of presentation, punctuation, viewpoint  etc.
Have you ever written collectively as a group, such as producing an anthology?
In 2007 my one time colleague and I, entirely on our own via our computers, produced an extremely professional looking anthology in booklet form entitled Three Cross Words.  This consisted of 40 items.  Short stories, poems, anecdotes etc., complete with illustrations.   We produced 100 copies and sold out immediately.
What kind of support does your writing group provide for its writers?
We are a self-help group, but via the meetings, e-mail or our private website, I’ll answer, or find out the answer, to any questions or give advice when I can.
What is the best piece of writing advice you've been given?
PROOF READ, PROOF READ, THEN PROOF READ AGAIN.    This is now our mantra.
What is the best piece of writing advice you give?
If you can write a shopping list, you can write anything, so get on and do it!
Does your writing group have a website/blog/Twitter/Facebook?
We have a private website for paid up members only.  This allows interaction between members and I use it to post information, ideas, photographs of competition winners, etc.     One of our group has a blog on which he posts his manuscripts and the group can comment.  As far as I know not one of the group, including me, has Facebook.
How would someone go about joining your writing group?
Anyone interested in joining a writing group should ask at their local library.  You can Google Writing Groups in whatever area you reside.  Go to NAWG [National Association of Writers' Groups] website – a comprehensive list in all areas.  Local village hall, local giveaway magazine advertisements.  I  have a waiting list but I’ll always recommend other groups in the area if I can’t take them on.  Three of my group have been with me since 2005.
Thank you very much, Judie. 

Tuesday, 9 October 2012

Good RJ, Bad RJ

Since having sent off the first 30 pages of my manuscript, plus synopsis, to literary agents, I have got used to the idea of being rejected.  I'm not saying that it's a nice feeling, but the more rejections you receive, the more you learn to just shrug your shoulders and move on to the next agent.  After all, it's their loss, right?

So, on 4th October 2012 I received an e-mail from an agent.




Dear Rebeccah,

Thank you for giving [...] Agency a chance to consider your work.

Unfortunately this is not right for us. We are replying as soon as possible to give you the best chance of finding the right agent. We specialise in commercial fiction tailor made for the mass market and therefore we have to be confident of substantial sales quantities before taking on a new project.

We receive over 300 manuscripts a week and can only take on a handful of new writers every year. The result is that we have to be incredibly selective, so please do not be too disheartened. Another agent may well feel differently.

We wish you the very best of luck.

Best wishes,



I don't mind getting the rejections, as it is a normal part of being a writer, but I do get frustrated by their reasoning for not accepting it.  I understand that they receive a lot of manuscripts and that they can't take them all on; I don't have a problem with that.  But I have written a piece of commercial fiction.  I made sure that I wrote a piece of commercial fiction to give me more of a chance of getting published.

On 8th October 2012 I received another RJ, and even though they didn't want me, the response felt personal and they were helpful, which is a first for my pile of rejections.



Dear Rebeccah

Thank you for your recent letter and the material which we have now looked at.  As a small agency we only take on very, very few of the many writers who approach us each year and, having considered your work, we do not feel we can effectively represent you. However, your writing is fantastic for someone so young, and we really encourage you to keep writing, because it will only get better.
              
In the meantime, there are lots of ways you can engage with other young authors and practise your skills. There’s a great organisation called The Young Writers Society which has lots of information about getting published and honing your craft – and they publish a magazine where you can showcase your stories. Find their website here: http://www.youngwriterssociety.com/.

We would also like to take this opportunity to wish you success with another agent or publisher.


With all best wishes,



Obviously, I'm a bit upset at being rejected, but at the same time it's definitely an ego boost to be told that my writing is 'fantastic'.  I just wish that I was fantastic enough for them to take me on.  Ah well, on to the next one.

Monday, 8 October 2012

LLTW October

A month ago I held the first Teen Writing Group at Lowestoft Library.  Five absolutely brilliant girls came along, and I was extremely impressed with their writing.  Two of the girls gave me pieces of their work last month, and asked me to have a read over it for them.  I did, and I really enjoyed them.  I can't say that they were pieces that reflected my usual tastes, but they were very well written and their vocabulary was diverse and interesting.  I made a few suggestions on each piece, but overall they were good and didn't need much improvement.

I set a piece of non-compulsory homework, to write 200-500 words about a place they knew and liked, and how it made them feel.  Only two girls did this, but I enjoyed them and was glad they gave it a go.  I can't really complain too much about the others not doing it, as I only wrote mine this morning.  And here it is.

***

My Place
I used to call it ‘my place’.  I thought I was the only person who knew about it.  I’d spend hours there watching and thinking.  Sometimes I still do.  I used to feel like I was sitting on top of the world, sitting on top of a collapsed World War II pill box, sitting on top of a high sand dune, looking out across Kessingland beach, towards the sea, over the horizon.  The concrete was never cold, even if the air around it was.  It became more comfortable the longer I sat there.

It’s quiet.  It’s far enough away from the dog walkers and runners and kite flyers and families and couples and soloists to be able to enjoy the quiet.  There is a rustle of grass behind me if it’s windy, or a squawk of a seagull, or a crash of a wave against the sluice rocks, but those are sounds I can deal with.  Those are the sounds I come up here to listen to.  Those are the sounds that tell me the world isn’t just made up of cars and shops and people.

My shoes are normally full of sand that creeps through the fibres of my socks and rests itself between my toes.  It tickles and itches, even after emptying a flow of golden grains into a pile next to me.  I trace my finger through sand, swirling patterns of yellow on grey.

I stretch my legs out in front of me and slowly drop my body back.  If I shut my eyes, everything disappears.  It’s just me and the rock.  And my thoughts.  I think about school and friends and work and other things I don’t particularly want to think about.  These thoughts slot themselves back into place like a defragmented hard drive.  Nothing else matters here other than a reorganised mind; a sense of calm, relaxation, solace.

***

Five girls came along to the session today.  Four girls that came last month and a new person, which was nice to see.  One of the girls who was at the last session was at the dentist today, but hopefully she'll be at the next one, along with the new girl from today. 

I gave everyone (including myself) six pieces of paper.  On three pieces we wrote things we likes, and on the other three we wrote things we didn't like.  My LIKEs were Roald Dahl, Rainbows, Walking My Dog In The Rain.  My DISLIKEs were Celery, Thunderstorms, Jeremy Clarkson.  When we had all written our likes and dislikes, we folded the pieces of paper up and put them in the middle of the table.  I mixed up the folded pieces of paper and everyone chose six at random.  The six I chose were: LIKE Roald Dahl, E4 (the television channel), Bright Eyes (the band), Wolves and DISLIKE Silence, Young Children.

We wrote a story, using those things, and out character or characters had to like the 'like' things, and dislike the 'dislike' things.  This is how my story turned out.

***

Sam turned on the television.  He flicked through the channels until he settled on E4.  He turned the volume up to 20.  He didn't like the quiet and he didn't like silence.  He didn't really like the programme he was watching either but it was better than the other drivel on the other channels.  His mother was addicted to thos dreadful DIY shows where they told you how to decrease the value of your house by painting your living room lime green and fuchsia.

Emma, Sam's three year old sister, sat on the floor in front of the television chewing on the corner of a book. Normally he let Emma get on with whatever she was doing, but today she was really getting on his nerves, always shouting and clapping and squeaking every time she saw an animal on the television.  When she got super excited, she'd bang the book on the screen, getting in the way of his viewing pleasure.  He hated her.  No, actually he hated young children, all young children.  He didn't see the point in them.  What did they do apart from make noise and a mess?

She put the book down and Sam noticed that it was he favourite Roald Dahl book.  Now he really, definitely, 100% hated young children.

He picked up the book and hit Emma around the head with it as he walked past.  She giggled.  He turned around and hit her again, harder.  She cried.  He laughed.  He wrapped his book in a teatowel and took it upstairs.  He collapsed on his bed and hugged his book to his chest.  'I never touch any of her things,' he thought to himself.  'Why does she have to touch my stuff?  Why does she have to chew my stuff?'

He pulled his iPod from his bedside table and squished the buds into his ears.  He hit the shuffle button and shut his eyes.  The familiar sound of a guitar filled his ears, strumming the opening chords to 'First Day Of My Life'.  He let his head sink back into his pillow as Bright Eyes soothed Sam's anger.  'This is the last day of your life,' he sang to himself in his head.  'I hope one day a wolf will come and eat you.'

***

Our next session will be Monday 12th November, 5pm-6pm, at Lowestoft Library.  The homework is three-fold.  Firstly, I want them to think of a name for the group.  Something interesting, something that stands out.  They informed me that the teen reading group is called Readers Of The Lost Ark, which I think is amazing.  I hope they can come up with something just as good for the writing group.  Secondly, and this is the only thing they must must must do, to bring along a piece of writing that they have already written.  It doesn't matter what it is; it just can't be any longer than a page.  I am going to use this for a future activity, but I won't say any more on that subject just yet.  And finally is to write a 300-500 word character profile about someone they personally know.

Writer - Kitty Rodgers

I'd like to welcome you to my interview with writer, Kitty Rodgers.  Enjoy.


Kitty Rodgers

Hello Kitty.  How long have you been writing?
For years part time, but about four years more seriously.
What first got you interested in writing?
Reading what others had written and because I had to for my work.
Do you attend a writing group?
I started attending Lowestoft Library Writing Group about 3 years ago.
I know that group well.  Why do you attend a writing group?
Because writing is a singular task and I wanted new inspiration, feedback and support.
I couldn't agree more.  What is the most valuable thing you have taken away from your writing group?
Learning how a task can reveal a myriad of ideas and types of writing.
What genre(s) do you write?  What drew you to this/these genre(s)?
Mostly crime and mysteries, mostly inspired by reading, media and what goes on in my brain - sadly!
I think everyone should be a bit worried about what goes on in their brain; I know I am!  Are there any genres that you don't enjoy writing?
War and anything else I don't understand.
What types of things do you write?
Mostly stories, but have written poetry, articles, descriptions and am willing to try any writing successfully or not.
That's the best way to be, I think.  You might try something new and find out that you're really good at it or that you really enjoy it, but you wouldn't have known if you hadn't tried.  Who/what influences your writing?  Where do you get your inspiration from?
The media, own experiences, crime/mystery writers in general.
Do you have a writing routine?
I write in the morning mostly but need to have solitude so I try to do it when my husband is occupied!  Also I often write by hand as it makes me think as I'm writing.
I'd love to be able to write by hand, but it makes me feel like I'm in a school exam!  Do you start out with a complete idea for your stories, or do you just start writing and hope for the best?
No I plan first, using a variety of forms, then start and alter the plot as I go.
Do you have an editing process?
I have a writing partner and we share each other's work.  Also I read out loud to see if the story sounds plausible and sometimes dictate to a recorder then play back.
A writing partner; that's a really good idea.  I might have to find myself one of those.  How do you come up with your characters' names and personalities?
I'm a watcher wherever I go.  Also, if I can see the character in my mind and imagine I'm talking to them or watching them really helps.  Getting to know your characters as if they really exist is important. 
It's nice to meet another people watcher.  That's one of my hobbies too!  Have you ever had anything published?
I'd love to be published but no luck so far!
Have you sent your writing to agents/publishers?
Yes, I remember the red pen marks!
Would you consider self-publishing/e-publishing?
I think at this time there is room for all types of ways to publish writing and would consider e-publishing but I don't have enough confidence to do so at present.  Self-publishing seems rather arrogant to me and it's expensive.  I like both sorts of books and have to now as my bookcase collapsed so have been banned from buying any more paper books (for a while).
It's nearly Christmas, so put a few books on your list to Santa.  Have you ever entered any writing competitions?
A few, but have never been successful (so far)!
Have you ever attended an open mic event for spoken word performers?
I have now!
How important is it for you to share your writing?
Very, how can you improve without positive critique?
What do you enjoy the most/least about writing?
I like writing descriptions and letting my imagination take control.  I hate editing!
What is the best piece of writing advice you've ever been given?
  • Never let go an inspiration unnoticed.  Make sure that you put it in black and white. 
  •  Let not the sun go down on empty work.
What advice could you give to a new writer?
Believe in yourself.  When you do, anything is possible.  It works for other things in life too.
Apart from writing, what are your other interests/hobbies?
Theatre, cinema, travel, gossip in history, embroidery.
What types of things do you read?  Do you think your writing reflects your books tastes?
Crime and mystery novels (some of which are historical), classic books, articles in newspapers and magazines, which often have an influence on my writing.
Do you gave any favourite lines from novels/plays/poetry/songs, or any favourite literary quotations?
"The secret of getting ahead is getting started." ~ Mark Twain.
"Genius is 1% inspiration and 99% perspiration." ~ Thomas Jefferson. 
"All good books are alike in that they are truer than if they had really happened." ~ Hemingway.
If you could have written anything, what do you wish that could have been?
Something by Dickens I suppose as his characters and settings are brilliantly described.  Also his stories are unusual and tell a lot about the age in which they were written.
What are you working on at the moment?
Stebbins, my detective, has just found another body but at last put the clues to good use!
Ooh, that sounds exciting.  Would you be able to provide a short piece of your work?
We would all like to be successful wouldn’t we but how many of us are a true success? 
Frank had read a book (well most of it anyway). This may not seem like an earth-shattering event but for Frank it was the sparkle of magic that lit up his whole life, for it informed him that to be successful you have to believe in yourself! 
Since he had started school Frank had always been a loner; the one who was clumsy; the one who was slowest and the least likely to succeed. At home, Frank Senior had pushed and goaded the lad till he felt (and indeed was) useless at anything that he tried to do from exams to every job or task he did. 
“Useless Fool...” or “Careless Idiot...” were phrases that often could be heard when referring to Frank and even his surname – Dunderhead reflected his abilities. 
Fortunately Frank had just been appointed to his latest job (the fourth in as many months) – Junior Executive (Tea boy) in the firm of ‘Castle Industries’ (run by the richest entrepreneur in town, Sir Andreas Prosperito). 
“When you believe in yourself anything is possible,” Frank repeated so many times that first morning that his words became mixed up as he strode confidently to work. 
“Useless Fool, he’ll be out of work in a week," his now infirmed Father moaned to their Home Help. 
With trepidation Frank entered the overpowering glass building as by now his motto had been so confused that he chose to ignore it. He was sent from the foyer up to the 2nd Floor which became his place of work (or prison). 
All day he worked hard running errands for the workers. Although he was surprisingly good at finding items which ranged from a pair of tights to endless reams of copying paper, no-one thanked him. 
By the end of the week he was still being addressed as “Boy!” or “Hey you!” – a nameless statistic within the glass castle.  By Friday Frank had totally forgotten what had been suggested in the book, after all he had no time think of anything but the endless work and his Father’s nagging. His only friend was the Office Cat, kept for his mice catching qualities. The animal had taken to following him around; Frank’s sardine sandwiches were a tempting draw to felines. They shared these enticing morsels in the service lift during the lunch hour. 
During one repast however the cat did not appear! 
Frank missed his companion, after all the Cat always listened to him and decided to take a trip in the lift to seek it out having a half hour of ‘sardine time’ left. 
He had never elevated so high (in the lift) before. However as he went skywards each Floor showed no sign of the Cat. However on the penultimate floor he found a shifty looking group of suited men and women. Some were pacing up and down; some were sweating profusely but one suited individual was working his way through a computer saving information on a memory stick. Sneakily, he finished just as Sir Andreas Prosperito’s voice boomed on a tanoid, “Come up to the Board Room.” They exited via the main lift. It was then that Frank saw the Cat. It was pawing at the computer keyboard used by one of the suited business people as if trying to capture the computer mouse. Seeing that the screen was still on Frank realised that every penny that the Prosperito Corporation possessed was shown in the spread sheet on the screen – and the ‘Suit’ had just copied it all.  
The main lift had returned empty to the floor. Stealthily the Cat moved forward its body holding open the lift door and it said (or he thought it said), “When you believe anything is possible!” 
As if pulled by an invisible elastic band (or a fairy’s spell) Frank found himself attracted to the lift; into the lift and upwards speeding with the Cat rubbing itself around his legs. 
He fell out of the lift his legs entangled by the Cat’s tail and found himself facing the seated backs of the shifty men and women. As he stood up brushing himself down he realised that all faces were turned to him and above them all standing from his leather chair rose the formidable shape of Sir Andreas Properito. 
Frank could have run back to the lift but in that ‘future changing moment’ he believed he was in the right and shouted, “That man has stolen Company secrets Sir Andreas!” 
Prosperito took a sharp look at the Junior Executive and said almost in disbelief, “You’re fired! I have never seen such disgraceful behaviour from one of my employees, drawing attention to yourself is not the way to be noticed in this Company!” 
“But it is true!” slobbered the defeated Frank, “I believed I could tell you.” 
“However, I cannot believe such a careless idiot. Now get out of the building and take that mangy creature with you.” 
With head hung low Frank went back into the lift. He went down to the 2nd Floor to say goodbye but no-one seemed to notice him so he gathered his lunch-box from the service lift and together with the Cat exited the gigantic glass building knowing what his Father would say when he got home. 
Fairy stories are supposed to have happy endings aren’t they and this one hasn’t – well not yet anyway... 
You see on the way home Frank decided that no matter what his Father said he would keep the Cat so he stopped off at the ‘Corner Shop’ where he bought a large tin of sardines and a lottery ticket.
By now you must have worked out what happened next...a comfortably large lottery win that kept Frank and the Cat in sardines for the rest of their lives. As for Andreas Prosperito, the man who didn’t believe Frank, well, his empire crumbled due to a loss of business information. 
© Kitty Rodgers 

Thank you very much, Kitty.

Saturday, 6 October 2012

New Words, Fresh Voices

Last night was the October edition of New Words, Fresh Voices open mic event, hosted by Ian Fosten at The Seagull Theatre in Lowestoft.  It's a bi-monthly performance of poets, story tellers and singers/musicians.  I'm not going to lie, some are really good and some are really not so good, but I guess that's a risk of an open mic event; there's no quality control.  But don't get me wrong.  It is an enjoyable evening, and it's great to hear people's creative outbursts.

The standout performer last night, for me, was a singer/guitarist called Kesha (I believe that's her name; I'm useless at remembering important details like that).  She sang two songs and they were beautiful.  Very haunting and moving.  They sounded like traditional Irish songs; kind of Enya-esque, not drunken Guinness fuelled ditties.  Absolutely amazing.  Last night was the first time she'd performed at New Words, Fresh Voices and I hope she comes back.

The other performers consisted of a banjo player (who didn't want to be compared to George Formby), a singer/guitarist who regularly performs funny songs, a woman from Blythe Valley Radio who reads poems by people she has on her radio show, a poetic technical expert, a few free verse poets, and me.

The loose theme for this evening was autumn, and post Olympic/jubilee 2012.  Normally I read out something I've written years ago that happens to fit in with the theme, but this time I wrote a new poem, and here it is.

Oh-lympics

Well it’s been a typical English summer
With rain and cloud and rain,
I recollect the sun made an appearance
But then it was rain again.

Yes I did get horribly sunburnt, twice
And yes it was quite painful 
But that was quickly cooled right off
With the vast amount of rainfall.

So now the leaves are crunchy
And the conkers are getting ripe
But regardless of the weather
Us Brits, we enjoy a good gripe.

It’s too hot, we say when it’s sunny,
It’s too cold, we say when it’s cold,
But how about we forget the weather
And focus on the silver, bronze and gold.

Who laughed out loud at the queen and Bond
As they parachuted over London? 
Who got sucked into Boyle’s garish vision
Of fantasy, celebration and wonder?

Who covered their house in bunting 
Roof to foundation in union jack? 
Who flew the flag with the rings 
Of blue, gold, green, red and black?

Who spotted Wentlock and Mandeville
Dotted around the streets? 
Who yelled and roared and shouted
For team GB to win their heats? 

Who stood up tall as the anthems played 
No matter what the nation? 
Whose thumb was glued to the remote’s red button
As it flicked through all the stations? 

Who cried along with Chris Hoy 
As he cycled to first place? 
Who screamed along with Farrah
As he easily won his race? 

Who jumped along with Ennis 
As we willed her to go far? 
Who held their breath with Tweddle
As she twirled around the bar? 

Who smiled along with Phillips 
As she got rewarded by her mum?
Who freestyled along with Adlington 
As in to third she swam? 

Who whacked along with Murray 
As he won the final game? 
Who punched along with Adams
As she boxed her way to fame? 

Who cheered along with the Brownlees 
As they ran in first and third? 
Who flew along with Daley 
As he dove right off the board? 

Who felt some pride for Ogogo 
Our local Lowestoft lad? 
And because of all this, who has decided
They now want to become an Olympiad?

Who posed along with Usain?
Who held the Olympic torch?
Who, hourly, checked the medal tables?
Whose bum was stuck to their couch?

Who loved the slow-mo recaps
As faces contorted and gurned?
Whose hearts broke as athletes tripped
And stumbled and crashed and burned?

Who watched far too much telly 
Over that historical two and a bit weeks?
And who were the lucky ones 
Who had tickets for the Stratford stadium seats? 

Who sang along with Madness , Elbow,
The Spice Girls and The Who? 
Who cringed along with George Michael 
As he crooned all out of tune? 

Who’s seen the bronze postbox
On the outskirts of our town?
Who felt empty when it was all over
And the hype had all died down?

Who misses the sense of patriotism?
A kingdom united, for once.
Strong bonds between organiser,
Performer and us, the audience.

So let’s not moan about the weather
That the summer did or didn’t have,
And turn our memories over
To the jubilant events of 2012.


And I read a story that I had written a while ago, but it followed the theme so I thought it was appropriate.

Partridge and pears

It’s Christmas.  It’s the end of September.  The barometer needle still points to ‘sunny’ and the mercury has settled itself in the low 20s.  Slowly, the shops have started sneaking packs of Christmas cards and dusty tinsel onto their shelves.  Everything is half price and people are buying it.  As I walk down the aisles, past the glitter and the sparkle and the motion activated dancing snowmen, the shops’ music systems intersperse classic Christmas anthems amongst the usual middle of the road pop drivel that is played on a continuous loop.  Someone somewhere has been paid a fortune to scientifically produce a playlist that encourages people to buy more than they actually want.  The songs can’t be too aggressive or too relaxing, just in case they heighten the emotions and cause unnecessary outbursts of excitement.  The aisles would be full of old people rolling around on the floor, clutching at their chests and making the experience of shopping more frustrating than it usually is.  The songs have to be easy listening, nonchalant, blah.  It’s called muzak apparently and there’s a skill to it, and it drives me crazy.  I work in one of these shops.
This morning, Mum asked me to pick up a bag of pears and some Christmas wrapping paper when I leave off work.  She said she wanted to get everything bought, wrapped and out of the way by November.  She says this every year and every year she rushes around half past three on Christmas Eve trying to find something nice for someone she doesn’t like.  I don’t know why she pretends it will be any different this year.
I reluctantly buy the most hideous wrapping paper I can find, there isn’t really much choice, and a bag of pears, and make my way home through the crowds of posing boys, prancing around with their shirts unbuttoned, hoping to impress groups of silly school girls giggling into their make-up mirrors.  My sister Jenny is one of those girls.  She’s sitting on a wall near her school with her skirt barely reaching her crotch.  She catches my eye and glares.  She flicks me the middle finger as I walk past and yells something at me in text speak.  She’s delightful.  She really is.
Before I even put my key in the door, I can hear Mum singing Christmas carols in a painful falsetto voice.  As with every song she sings along to, she mumbles a garbled noise to the parts she doesn’t know the words to.  She’s sitting at the desk staring at the computer.  She’s warming her hands against a roaring open fire screen saver that Jenny downloaded for her.  She has no idea how to use the computer other than to turn it on and to set the screensaver.  On the mantel piece is a little wooden nativity scene that she found at a jumble sale.  She gets it ready extra early every year.  She cleans every figure individually with a grubby, yellow duster.  Over the years the scene has fallen foul to the taste buds of our dog, Big Bird.  Mum allowed Jenny to name the dog.  Big Bird chewed the head off one of the wise men, and swallowed the baby Jesus in one gulp.  The centrepiece of the nativity is now a conker in a manger, who is being visited by two wise men and a Lego Darth Vader.
I notice a pile of paper, a pair of scissors, jars of coloured glitter and a pot of glue sitting next to her on the desk.  I ask her what it’s all for.  She turns around and grins.  She tells me that she’s getting a head start on making the decorations.  She insists that the ones in the shop are so tacky and she likes the personal touch.  She throws a string of paper chains towards me and the glitter pings off in every direction.  Guess who’ll be clearing that up later.  She stands up and asks if I want a cup of tea.  As she gets out of the chair, a snowfall of tiny paper pieces tumble off her lap onto the carpet.  Guess who’ll also be clearing that up later.
I plonk the bag of pears down on the kitchen work top.  She rushes over and rips the bag open.  She has a look of determination in her eyes.  She shovels a pear into her mouth as though she hasn’t eaten for months.  I take a few steps back just in case she eats me too.  When she’s finished, she spits the pips out into her hand and puts them in a sandwich bag that appears to have more pear pips in it already.  I ask her what she’s going to do with them.  She grins and rushes into the living room.  She returns with her hands behind her back.  She wants me to guess what she’s holding.  I don’t want to guess.  She shows me a dead stuffed bird.  It’s a partridge.
She tosses me the bird and I throw it onto the table.  She knows I hate taxidermy.  She grabs the roll of paper from my hand as she walks past and does a little skip of excitement.  She waves it in the air and knocks the lampshade but she’s singing too loudly to notice.  I tell her to stop being such an idiot and she tells me to stop being such a Scrooge.  She’s too preoccupied with the reindeers in Santa hats staring back at her from the wrapping paper to remember that she offered to make me a cup of tea.
I tell her that I saw Jenny flashing her pants to the world.  She closes her eyes and continues to dance around the room.  She never listens.  Big Bird hobbles up to me.  I feel sorry for him.  He can’t escape Mum’s Christmas obsession.  He especially hates her motion super sensitive dancing characters.  He stretches and a fat Santa in a metallic red jumpsuit holding a sprig of mistletoe jumps to life, singing I Saw Mommy Kissing Santa Claus.  He perks up his head when the postman comes and he has to endure Rudolph The Red Nose Reindeer spewing from a scary looking reindeer with a dodgy eye and a red light for a nose that flashes erratically.  He sneezes or scratches and the whole house is filled with the dulcet tones of a squeaky voiced snowman wearing a top hat bobbing up and down warbling Frosty The Snowman.
I take him for a walk.  The door latch clicks behind us and all I can hear through the open window is a medley of badly recorded Christmas songs.  I’m glad to be out of there.  I see Dad walking along the pavement towards me.  He’s carrying a box under his arm.  Big Bird pulls forward and sniffs Dad’s crotch.  Dad tickles him under the chin and he lies down in the middle of the pavement, right in the way of all pedestrian traffic.  A woman sighs loudly and takes an exaggerated step over his tail.  I glance at the box Dad’s carrying.  It has a picture of a giant Christmas tree on the side.  Dad rolls his eyes.  Your mother asked me to pick it up, he explains.  She wants me to set it up when I get home, he sighs.  We’re going to have a six foot inflatable Christmas tree sitting in our front garden for the next three months, he winces.  I doubt it, I reply.  It’ll be stolen in a few days, I continue.  He nods in agreement.  That’s why she had me order four more, he mumbles, and they’ll be delivered on Friday.  He leans down to pat Big Bird but he’s too occupied by an ant scuttling along the pavement.  I wish Dad luck.  He chuckles.  He tells me not to be late home for dinner.  Mum’s cooking turkey.
I pull at Big Bird’s lead and almost dislocate my shoulder.  He’s a big dog and he’s a stubborn dog.  When he’s ready he gets up and pulls me towards the beach.  I let him think that it’s all his idea but we were going there anyway.  It’s empty which is the way we like it.  I let him off the lead and he chases his tail for at least thirty seconds before running after a rabbit. 
It’s warm, not hot, just warm.  There’s a bit of a breeze in the air but that’s welcome.  There is a boat straddling the horizon.  It doesn’t seem to be going anywhere.  Big Bird rolls around in seaweed and digs to China to find the best stones.  He sneezes and awaits the awful sound of a Christmas character.  It doesn’t come.  He goes back to playing.  I start to sing Jingle Bells to myself and then scream.  There’s no need for that.  Big Bird comes running towards me with a clump of dried seaweed in his mouth.  Tangled up amongst the seaweed are a Dutch crisp packet and a used tampon.  He shakes his head vigorously to kill it, thankfully flinging the tampon back into the sea.  Once convinced it’s dead, he drops the creature from his teeth and runs towards a black groyne sticking out of the sand at the water’s edge like a rotten tooth.  He sniffs it, rubs his back up against it, sniffs it again and then cocks his leg.  A minute later and the groyne glistens.  Big Bird turns on his heels towards home.  I’m done.  Let’s go.


All copyright belongs to me, so don't even think about stealing these pieces.

The next New Words, Fresh Voices is on Sunday 2nd December.  If you're a writer and you've never read your work aloud, come along to the next one.  It's a lovely little confidence boost, which isn't a bad thing at all.

Thursday, 4 October 2012

Hastings Writers' Group

I'd like to welcome you to my interview with Rosemary Bartholomew from Hastings Writers' Group.

*****

Hello Rosemary.  Can you please tell us a bit about your writing group?
We are Hastings Writers' Group, established in 1947.  We meet fortnightly on alternate Monday evenings from 7.30 to 9.30 pm at the White Rock Hotel, Hastings.
How many members, on average, does your group have?
We have around 35 members at the moment.
What is your role within the group?
I am currently the Programme Secretary.  I also head the production team for Strandline, our now biennial group anthology, and any charity anthologies we self-publish.
How are your sessions structured?
We have a yearly programme planning meeting so all members can suggest and vote on what they want to see happen. A copy of the programme is emailed and it is also available on our website. Our sessions are 2-hourly, starting with notices and news, then the evening’s activity; we have a 15 min break half-way through. 
What types of things do you cover in your group?
Manuscript evenings – where four people can read extracts from work in progress for the rest of the group to give constructive feedback and comments
Workshops – usually fun evenings with writing-related exercises and usually devised by a group member.
Competition evenings - we have five different competitions leading to our Writer of the Year trophy covering short story, non-fiction, poetry, something dialogue based and a wild card. (This is worked out on a points system – 5 for winning down to 1 for entering).  The themes for each are suggested and voted on and they are judged by outside judges.  We also have our Catherine Cookson Cup short story competition (Catherine Cookson was a founder member and previous Patron).
At present we also have a journalistic-type comp in memory of one of our members who was himself a journalist.
Results evenings - where the guest judges come and give both overall and individual comments on our entries and announce the top four and any highly commended.
(Occasionally we may have a Guest Speaker who has not judged a competition).
We have an evening with our Patron – popular novelist Tamara McKinley – who is a very ‘hands-on’ patron who gives us a lot of support and encouragement.
We also have a combined AGM/Programme Planning evening.
There’s a Presentation Evening, with a buffet, where friends/family can come and we have our Catherine Cookson comp results

Additionally, we run outside workshops with booked tutors, that are open to the public.

We also have other outside activities, including an Annual Charity Quiz.
What have been some of your most popular/successful activities?
The competition evenings are always the most popular, with members keen to have feedback on their work.
Do members of the group get a chance to run/lead a session or part of a session?
Yes, members have a chance to run a Workshop (and several have done so) and are positively encouraged to do so, or share in talking about their own experiences. 
What genres do the members of your group write?  Is there a lot of diversity with regards to your members' writing?
There is a great deal of diversity. Members range from published, award winning authors to those who craft words purely for their own pleasure and those in between with the occasional success. We have novelists, children’s writers, non-fiction writers, poets, short story writers, people who have written plays, those who have had articles, letters or fillers published and writing competition winners.
You mentioned earlier that you have produced anthologies as a group.  Can you tell us more about that?
Yes, we publish an anthology of members’ work (fiction, non-fiction and poetry) called Strandline.  This year’s will be the 9th edition. It is illustrated, produced and formatted ready for print by our own members.  It used to be annually, but now is every other year and our latest will be out in October 2012.  We have won two national anthology competitions for writers’ groups with previous editions of Strandline.

On the years in between we publish a charity anthology. Our most successful Diamond: A Collection of Childhood Memories was to celebrate our Diamond Anniversary and we opened it up to other local writers so as to reach the magical 60 contributors, and added 6 children for good measure.  We raised around £3000 for three charities.
Our last charity anthology was Ghost Writers – spooky tales for dark evenings, which helped raise money for local young carers.  We received a highly commended for this in the NAWG anthology competition. 
What kind of support does your writing group provide for its writers?
Every member is valued and encouraged. All of them have the opportunity to be included in our anthologies and are given constructive feedback/individual mentoring if they ask for it to help them reach their highest potential. The more successful writers share tips and pass on helpful hints to the rest of the group.  We all share in everyone’s successes and like to think we are a supportive group.
Where do you get your ideas/writing prompts from?
Ideas for our programme come from the members themselves, or we try something that has worked well before.
Do you have guest speakers at your group?
Our Guest Judges are also our speakers as they are nearly always professionals. As well we have had people such as  agents, or other writers but these are of limited interest and our programme is pretty full anyway. Expense is something to be monitored and we prefer to spend out on feedback on our own work.
What is the best piece of writing advice you've been given?
Probably, write about what you know!
What is the best piece of writing advice you give?
Always get your work proofread by a competent person before sending it off anywhere.
Does your group have a website/blog/Twitter/Facebook?
Yes: www.hastingswriters.co.uk.  We have a Blog page attached where we include write-ups of our meetings or any success etc.  Someone is currently looking into setting up a Facebook page.
How would someone go about joining your writing group?
Initially they would contact our Membership Secretary, Amanda Giles, at membership.hwg@gmail.com and be invited to come along to a meeting free of charge and with no obligation to see what they think.  They will also be e-mailed an Information Pack.  If they decide to join then they fill in a short application form and pay their subscription. 
Thank you very much, Rosemary. 

Monday, 1 October 2012

Writer - Terry Tarbox

I'd like to welcome you to my interview with writer, Terry Tarbox.  Enjoy.

Terry Tarbox


Hello Terry.  Could you please introduce yourself?
I'm Terry Tarbox and I'm based in Carlton Colville, Lowestoft.
Ah, Lowestoft.  I know it well!  How long have you been writing?
Since I was 10 years old.
So you've only been writing for about 10 years then.   What first got you interested in writing?
I remember at primary school, writing an essay called The Rescue.  My teacher was very impressed and read it to the class (at 10 years old that is glory).  I was hooked from that day.
Do you attend a writing group?
Yes, at Lowestoft Library.  It keeps me in touch with like-minded people, and most of all, it's great fun.
What genre(s) do you write?  What drew you to this/these genre(s)?
I write for children.  I love reading to children; they are so receptive and prepared to believe even the silliest stories.  I like to write stories that entertain the adult reader as well as the listener, because if the adult laughs, the child laughs.
Are there any genres that you don't enjoy writing?
I have never really tried writing other genres.  I suppose I should try but I am kept fairly busy writing for children.
What types of things to you write?
Short stories mainly, although I have written a fair amount of poetry.
Have you ever had anything published?
I started off my path into the writing world about six years ago by self-printing two small books of stories that I'd made up for my nieces and nephews.
I have one book published, The Willigrews.  At the moment I am working on a second book which will hopefully be out later this year.

Have you sent your writing to agents/publishers?
I did approach some agents several years ago, without success.  I received one rejection slip from MacMillan.  They said they laughed out loud at my story but that was as far as it went.
Would you consider self-publishing/e-publishing?
I would consider self-publishing if I really believed my work was good enough and I could afford it.
I love books; the feel and the smell and the promise of what I am about to read.  However, I am always prepared to try something new and different.
That's why I like books too.  Have you ever entered any writing competitions?
One or two, in the distant past but without success.
Have you ever attended an open mic event for spoken word performers?
No, but I am going to attend one this month to check it out.  Sounds like it might be fun and I like a challenge.
If you can read to children, you can read at an open mic!  It is a very exciting experience, and a bit of an ego boost too!  How important is it for you to share your writing?
I share my stories because they make me happy and I want children to feel the same.
What do you enjoy the most/least about writing?
I simply love writing.  It frees my mind of everything else and when I am in the land of The Willigrews I am home.  After all, they know me there.  I can't think of a downside. 
Who/what influences your writing?  Where do you get your inspiration from?
My writing is mostly influenced by three people; Spike Milligan, Spike Milligan and Spike Milligan.  In my opinion he is the funniest man who ever lived.
I know the first two people you mentioned, but I'm not sure I know the third.  I'll have to look him up.  How do you come up with your characters' names and personalities?
Sometimes when I am telling stories to children I make them up as I go along.  I often ask if they have any ideas and they always give me lots of suggestions for names and situations.  Also, a lot of my names are anagrams, e.g. two soldiers Partive and Parsleno = Private and Personal.  Everything else is pure imagination. 
Do you have a writing routine?
I normally write when I feel like it but recently I have been reading every month on the radio and I am running out of stories.  Funny how much you can do when the pressure is on.
Do you start out with a complete idea for your stories, or do you just writing and hope for the best?
My characters, The Willigrews, are adventurous, therefore always looking for something new so I always have a goal of some sort, e.g. to find out who the first Willigrew was, they have to go on a long, perilous journey to find a character called Heafod, who lives underground.  I start the journey with them and we meet all sorts of weird, wonderful and dangerous creatures on the way. 
Well it's good to see that you managed to survive such a perilous journey to be here today!  Do you have an editing process?
I always read my work several times to check for mistakes or different ideas.  I also have quite a few children who follow The Willigrews on my website and they read them all and tell me what they think.  My published book was edited by the publisher.  I couldn't believe how many mistakes they found!
What is the most valuable piece of advice you've been given with regards to writing?
I have always enjoyed writing but never thought too much about publishing my work.  I mentioned it once to a member of my family, however, and he said to me, "People like us don't write books."  Whether he was using reverse psychology or not, I don't know, but from that day I was determined to prove him wrong, and I did.
So it wasn't really valuable advice, or was it?
I think it was.  What advice could you give to a new writer?
I am always being asked by children for advice about writing and I always tell them the same thing.  It sounds a bit obvious at first but I urge them to keep writing and never cross things out or throw work away.  Also to enjoy writing just for the fun of it and one day you could be famous.
Apart from writing, what are your other hobbies/interests?
I am, of course, a keen reader, but I also love gardening, especially on my allotment where I get a lot of my ideas for The Williagrews. 
What types of things do you read? 
My taste in books is fairly eclectic.  I do read quite a few modern books but, all the time, I am drawn back to Dickens, Conan Doyle, Hardy, etc. 
If you could have written anything, what do you wish that could have been?
David Copperfield by Charles Dickens is, I think, the best story ever told.  My favourite book, however, is 1984 by George Orwell.  I was a teenager when I first read it and it really frightened me.
 Do you have any favourite lines from novels/plays/poetry/songs, or any favourite literary quotations?
My favourite lines are from the poem Ozymandias by Shelley: 
"My name is Ozymandias,
King of Kings,
Look on my works ye mighty and despair."
Also the lines from The Lady of Shalott by Tennyson.
"But Lancelot mused a little space
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott." 

What are you working on at the moment?
I am working on six short stories for my next book and writing some new stories for the radio.  I am also doing a 'homework' story for the Writers' Group.
I have been speaking on the radio and was interviewed on BBC Norfolk a while back.  I also read my stories each month on Blythe Valley Community Radio
I also do readings at primary schools and libraries.
You mentioned earlier that you have a website.  Do you have a blog/Twitter/Facebook dedicated to your writing?
The website is www.willigrews.co.uk and links to where you can buy The Willigrews can be found on this site.  I am also on Facebook and Twitter, just search for 'The Willigrews'.
Would you be able to provide a short piece of your writing?
This is taken from The Willigrews and the Gloopudds, a story from my book, The Willigrews.  This is part of a story in which The Willigrews meet a group of talking feet.
The Willigrews and the Gloopudds 
There was a short silence; it was standing next to a tall silence, which everyone ignored. 
"We must stop them from reaching Willigrew," said Krowfin. 
"How?" asked Rewsin. 
"I think we should go and take a look," Longstint replied. 
"That would be very dangerous," the second foot warned. "We tried talking to them but they threw their breakfast at us, eggs and bacon flying everywhere. We ran away before they started throwing the hash browns. Look, I've still got brown sauce on my big toe."  
Everyone looked at the second foot and they could all see that it definitely had a big toe and it really did have brown sauce on it. Having seen this, the Willigrews knew the feet could be trusted. Everyone knows that anyone who tells the truth about brown sauce is trustworthy. There is nothing worse than a ‘brown sauce liar’.  
The Willigrews waved goodbye to the feet (the feet waggled their toes in reply) and resumed their journey toward the smoke.  
The little band of Willigrews trudged on and left the feet heading in the other direction. Their journey took them through a forest with very tall trees and very long grass. There was nothing short about this forest. The Willigrews walked in silence for a while; until Partive broke the silence (he was always breaking things).  
"I wonder how far the distance is," he asked.  
"The distance is always a long way away," replied Longstint.  
"Even when we get there it will still be a long way away," he continued.  
Krowfin was feeling very confused and felt a headache coming on. 
Eventually the band reached a sign, which read ‘Warning, Gloopudds Ahead, Danger, low flying toast!’ 
© Terry Tarbox 
Thank you Terry, and the best of luck with your future Willigrew adventures!